About this research
This research project contributed to a growing body of critical analysis and examination of Māori dance and performance as a primary form of cultural expression in which the synthesis of diverse cultural and historical influences is contributing to a redefinition of Māori culture.
Outputs
• Video, Ka Mau te Wehi, 2008
• Exhibition Tūrangawaewae, 2006, Wellington
• Performance Manohi – on the other hand, Tempo Dance Festival, Auckland 2006
• Exhibition, Hand-in-Hand, Sydney, February 2008
• Exhibition and Performance, Ka Mau Te Wehi, 2009
Ētahi atu · Other projects
Jessica Gerbic (Ngāti Pūkenga, Ngāti Pikiao), The University of Auckland Māori mothers are a taonga (treasure precious) for Māori society in the role they play for Whānau, hapū and iwi. The age when wāhine have tamariki has never been a barrier within Māori culture. Yet the process of colonisation has significantly impacted the status of young Māori wāhine…
View projectYoung Māori wāhine experiences of motherhood in Aotearoa
Jessica Gerbic (Ngāti Pūkenga, Ngāti Pikiao), The University of Auckland
Māori mothers are a taonga (treasure precious) for Māori society in the role they play for Whānau, hapū and iwi. The age when wāhine have tamariki has never been a barrier within Māori culture. Yet the process of colonisation has significantly impacted the status of young Māori wāhine through targeting, isolating and misrepresenting their lived realities in their journey into and through motherhood. This disconnect has been amplified through western research, government policies and media representation.
Kirsty Dunn (Te Aupōuri, Te Rarawa), University of Canterbury My PhD thesis, tentatively titled “‘Into the Dark, We Are Moths’” Centering Whakapapa, Representing Animals in Māori Writing in English” is an exploration of the ways in which human-animal relationships are represented and reimagined in contemporary Māori writing in English. I aim to both…
View projectInto the Dark, We Are Moths’
Kirsty Dunn (Te Aupōuri, Te Rarawa), University of Canterbury
My PhD thesis, tentatively titled “‘Into the Dark, We Are Moths’” Centering Whakapapa, Representing Animals in Māori Writing in English” is an exploration of the ways in which human-animal relationships are represented and reimagined in contemporary Māori writing in English. I aim to both describe a Kaupapa Māori framework for reading Māori literature, and demonstrate its efficacy and potential by analysing a selection of contemporary works.
Stephen Gibbs (Ngati Tamanuhiri, Ngati Rangiwaho, Rongowhakaata, Rongomaiwahine), Massey University Toi Tamanuhiri – Hua Uri Kuri –Mana Moana, Mana Whenua, Mana Tangata As a prelude to my research, the first part of my process was the curation of a series of Iwi based exhibitions that were held at Tairawhiti Museum - Gisborne, Verve Café - Gisborne and Ngai…
View projectTe Hono ki toi. a history of Maori painting. From the Hoe to the Whare to the art gallery
Stephen Gibbs (Ngati Tamanuhiri, Ngati Rangiwaho, Rongowhakaata, Rongomaiwahine), Massey University
Toi Tamanuhiri – Hua Uri Kuri –Mana Moana, Mana Whenua, Mana Tangata
As a prelude to my research, the first part of my process was the curation of a series of Iwi based exhibitions that were held at Tairawhiti Museum - Gisborne, Verve Café - Gisborne and Ngai Tamanuhiri Marae in Muriwai south of Gisborne, over the period of December 2013 – March 2014.
The curation process involved the establishment of an Iwi taonga data base and an Iwi artist’s database. This lead to establishing networks with a number of national and international museums and associated agencies. Other curatorial project’s followed. These included ‘Rangiwaho – Ihu Ki Te Moana’ an iwi collaborative project that I designed and curated, for the National Maritime Museum in Greenwich, England (2018) and ‘Tū te Whaihanga – an acknowledgement of creative genius. Tairawhiti Museum (2019), where I was co-curator with Eloise Wallace and exhibition designer.